Texts – Narrative theory Todorov/Propp

Learning objective: To be able to apply the narrative theories of Propp and Todorov to texts

Key words: Narrative, Todorov, Equilibrium, Propp, Characters

You will Learn about Todorov’s theory of equilibrium and Propp's character functions and identify how the theory has been used in a short animation.

Narrative

A narrative (or play) is any account of connected events, presented to a reader or listener in a sequence of written or spoken words, or in a sequence of (moving) pictures.
The word derives from the Latin verb narrare, "to tell".

Telling stories is that thing that makes us human. Stories ignite our imagination, and let us leap over cultural walls and cross the barriers of time. They bring us to other worlds and let us explore other lives and yet, at the same time, give us a better understanding of our own time, place and emotions.

Narrative theories suggest that stories (in whatever media) share certain features. They suggest that there are underlying structures to stories.

Narrative Theory 1: Todorov

Todorov saw underlying structures to narratives.
He argued that stories all begin in “equilibrium” when all forces are in balance.
This is disrupted by a problem to cause “disequilibrium”. 
Then more events take place before a“new equilibrium” is established.

1. Equilibrium
2. Disruption of equilibrium
3. Recognition of disruption
4. Attempt to repair disruption
5. New equilibrium. Often with a lesson learned.

Many film makers today don’t bother setting up the normal world in order to disrupt it with a problem (a killer shark, etc.) and go straight for the problem and disequilibrium. However, there will always be a sense in the film of what life was like before the problem came along and therefore what the characters can return to if they can only sort the problem out.

Narrative Theories and Examples 

                                                             Narrative Theory 2: Propp

• Vladimir Propp: “Characters have a narrative function, they provide a structure for the text”

Propp looked at folk tales and saw some structures they shared in common. He found 8 character roles and 31 functions that move the story along.

The 8 character roles can also be types of action because they are not the sort of roles which appear in the cast list. One character in the film or play can occupy several of his character roles or types of action. They are:

1. The villain
2. The hero (not always good but always carries the story along, the central character and not always male)
3. The donor (who provides an object with some special property)
4. The helper (who helps the hero)
5. The princess (the reward for the hero and object of the villain’s schemes)
6. Her father (who rewards the hero)
7. The dispatcher (who sends the hero on his way)
8. The false hero

The 31 functions include events such as:

The hero is prohibited from doing something

The villain learns something about the victim

The villain is punished, etc.

Applying Propp’s theory Propp’s theory can applied to all kinds of narrative

For example, in TV news the audience are exposed to what the broadcaster wants us to believe to be “heroes” and “villains” – Osama Bin Laden (villain) or Princess Diana (hero)

The theories can also be applied to promotional posters, computer games and advertisements. 

Task 1: 
Write down Propp's 8 Character functions in your note books.

Write down Todorov's theory on narrative structure in your note books.

Task 2: Apply Propp's theory to the characters in this Indiana Jones film.

There is a link to IMDB with the storyline here to help:

Task 3: 

Watch the short animation 'The Wrong Trousers' by Aardman.

Indicate the Proppian characters where you can and apply Todorov's states.

Task4: Homework

Apply the theories of Propp and Todorov to a feature film of your choice.
Suggestions:

 The Matrix

Shrek

Titanic..